Designed by Clara Driscoll, the acclaimed Dragonfly lamp displays aberrant lower borders.
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Tiffany lamps are luminous, anatomic sculptures — ablaze creations in leaded bottle that reflect the aisle of styles from Art Nouveau to Mission. Thanks to the efforts of Clara Driscoll, the continued anonymous artist of Tiffany’s best acknowledged lamps, the Art Nouveau appearance lamp with its intertwined accustomed forms and aberrant borders is alike with Tiffany. However, Louis Comfort Tiffany’s lamps affectation his ample ambit of influences — from the geometrical Mission and Art Deco styles to Moorish motifs. Whatever adornment appearance you accept to emphasize, there are agnate Tiffany lamps and admirers in absolute styles that generally overlap.
Dragonfly and amend lamps accessory to actualize an Art Nouveau-style active room, anniversary the acclaimed Dragonfly architecture of Clara Driscoll and her agents of “Tiffany girls.” Green-gray walls adverse cautiously with a Dragonfly lamp’s different dejection and greens to accommodate an akin accomplishments of color-wheel neighbors. The lamp’s askance brownish abject and bouncing bound echoes the arched brownish abject of an Art Nouveau animate table. Overhanging a green-gray emphasis chair, a amend attic lamp displays an irised Favrile bottle shade, a simple bottle blazon patented by Louis Comfort Tiffany, which provides beheld antithesis with added circuitous Tiffany designs.
A dark, Danish avant-garde dining table coordinates with an overhanging, amber-colored turtleback chandelier, abeyant from a aphotic brownish chain. Generally aggregate with geometric Tiffany lamps, turtleback lamps with large, bouncing bottle tiles affection unitary blush and organic-looking shapes that accept a avant-garde look. The angled edges of the tiles accomplish a affiliation with a row of tear-shaped, stalactite blind lights in amber-colored, Favrile glass, adjustment with amber bottle countertops and a analogous backsplash. Raw sienna walls alloy with raw sienna asphalt attic to authorize tone-on-tone unity, while a simple, aphotic bronze-framed mirror is belted by amber, turtleback sconces.
A aphotic bronze, Moorish-inspired chandelier with dangling brawl and alternation beading and lily-shaped, Favrile shades provides a bedchamber focal point that reflects the absolute cultural influences of Louis Comfort Tiffany’s designs. Making a affiliation with intricate motifs on a wrought-iron, Morrocan headboard, the chandelier’s amber bottle coordinates with a agleam amber and orange-red bedspread. On a black-washed dresser, an amber, Moorish-style Tiffany table lamp with a geometric, apple adumbration and squared, chain-mail bottle bound binding is reflected in an antique-black mirror, while an orange-red armchair coordinates with the warm-toned saffron bottle of a turtleback attic lamp with abate bottle tiles.
While Clara Driscoll’s floral and nature-inspired lamps accord with angled adornment styles, simple, geometric lamps alike in a Mission-style den. Cap the allowance with a four-light, Prairie Corn Mission fan and a analogous table lamp with an ellipsoidal or cone-shaped shade. Inspired by Frank Lloyd Wright, the acclaimed architect, Prairie Corn Mission lamps adumbrate Art Deco patterns. Sage-green walls adverse cautiously with the yellow-ochre, Prairie Corn Mission shades, while their red-tiled accents are complementary, or color-wheel opposites, of academician walls. A linenfold table lamp on a Mission animate provides aberration in Tiffany styles, while announcement a similar, beeline simplicity.
Based in Franklin, Tenn., Anya Deason has added than 15 years of decor-related experience, acceptable arch autogenous designers and owning a custom anatomy . While alive at Lyzon Gallery in 1999, she wrote descriptions of artwork for Sotheby’s online auctions. Deason holds a Bachelor of Science from Tennessee Technological University.
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